I am an interdisciplinary artist, writer, researcher and carer. I have always been drawn to fragmentary artefacts that often go unnoticed and uncared for; tiny shards of pottery, abandoned websites, fragmentary inscriptions carved into walls, the remnants of forgotten hard-drives, traces of pencil in old books. They all feel connected to me, as though they call out to each another across time. I am heavily influenced by the theories of social haunting and realms of memory, and how they relate to the fracturing realities of our current (hyper-accelerated) age. I am drawn to the uncanny and eerie that are often encountered at the marginalia of both digital and physical spaces. My praxis can be understood as ghost intergration.

My written work consists mostly of essays, reflections and critical theory across these subjects. My physical work is in broad range of media and intersect overlapping disciplines. As a researcher I worked interdisciplinarily with philosophers, scientists and academics in Humanities and STEM subects. My practice has led me to gain experience and/or qualification in several of these related fields, including field archaeology, environmental surveying, digital forensics, ethnobotany, extremism studies and cybersecurity. I also facilitate workshops and teach lectures in the areas I work across.

Other personal interests that influence my practice include hardware hacking, queer ecology, crip time, coding, cybernetics and documenting/studying internet accelerationism and its effects across cultures.