I am an artist, writer, researcher and carer. I have always been drawn to fragmentary artefacts that often go unnoticed and uncared for; tiny shards of pottery, abandoned websites, fragmentary inscriptions carved into walls, the remnants of forgotten hard-drives. They all feel connected to me, as though they call out to each another across time. I am heavily influenced by the theories of social haunting and realms of memory, and how they relate to the fracturing in our current (hyper-accelerated post-internet) age. I am drawn to the uncanny and eerie that are often encountered at the marginalia of digital/physical spaces.

My written work consists mostly of essays, reflections and critical theory on these subjects. My physical work is in broad range of media which intersect several overlapping disciplines. As a researcher I work interdisciplinarily with scientists and academics in Humanities and STEM subects. My practice has led me to gain experience and/or qualification in several of these related fields, including field archaeology, environmental surveying, digital forensics, ethnobotany, extremism studies and cybersecurity. I also facilitate workshops and teach lectures in the areas I work in.

Personal interests that often overlap with my practice include hardware hacking, queer ecology, crip time, coding, cybernetics and documenting/studying internet accelerationism and its effects across cultures.