I am an interdisciplinary artist, musician and researcher. I have always been drawn to fragmentary artefacts that often go unnoticed and uncared for; tiny shards of pottery, abandoned websites, fragmentary inscriptions carved into walls, the remnants of forgotten hard-drives. They all feel connected to me, as though they call out to each another across time. I am heavily influenced by the theories of social haunting and realms of memory, and how they relate to the fracturing realities of our current (hyper-accelerated) age. My work explores the uncanny and eerie that are often encountered at the marginalia of both digital and physical spaces. I like to think of my work as integrating those ghosts.

I write creatively and critically across these subjects, and my physical work is in broad range of media. As a researcher I worked interdisciplinarily with philosophers, scientists and academics in Humanities and STEM subects. My practice has led me to gain experience and/or qualification in several of these related fields, including field archaeology, environmental surveying, digital forensics, ethnobotany, extremism studies and cybersecurity. I also facilitate workshops and teach lectures in the areas I work across.

The Net is vast and infinite. Like many others I like to play with identity and alias across platforms and usernames. Other personal interests that influence my practice include hardware hacking, mechatronics, queer ecology, crip time, coding, cybernetics and documenting/studying internet accelerationism and its effects across cultures.